Marks repeat, fracture, recombine—like syntax stripped of grammar. The painting builds through rhythmic gesture, testing how meaning emerges from movement. Wright’s grids operated similarly: variation within a formal order, discovery through pattern.
Additional Artworks
From Jonathan Herbert
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Night Moves, 2022
Acrylic and urethane on canvas
60 x 40 x 1.5 in (152.4 x 101.6 x 3.81 cm)
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Moss, 2022
Watercolor on rag paper
6.5 x 6.5 in (16.51 x 16.51 cm)
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Rubedo, c. 2022
Watercolor on rag paper
6.5 x 6.5 in (16.51 x 16.51 cm)
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Verdigris, 2022
Acrylic and urethane on canvas
60 x 40 x 1.5 in (152.4 x 101.6 x 3.81 cm)
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Ridden by Legba, 2022
Acrylic on canvas
80 x 40 in (203.2 x 101.6 cm)
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Take Me to Church, 2022
Acrylic and urethane on canvas
72 x 60 in (182.88 x 152.4 cm)
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Old Growth, 2022
Acrylic and urethane on canvas
60 x 40 in (152.4 x 101.6 cm)
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Versailles, 2022
Acrylic and urethane on canvas
60 x 40 x 1.5 in (152.4 x 101.6 x 3.81 cm)