This painting of two lesbian lovers on a couch floats on a dreamlike background of the Versailles Garden of L'Orangerie. By setting this private, domestic embrace against such a grand, historical backdrop, the painting insists that lesbian love belongs in the canon of romantic imagery and within the spaces that have so often erased it. It becomes both an intimate portrait and a quiet act of revision—rewriting who gets to be seen, adored, and remembered in the gardens of history.