In Refuse Refuse, Gregory Kitterle employs mixed media on panel to craft a work that oscillates between abstraction and minimalism. The muted, earthy tones of the composition—dominated by shades of beige and faintly discernible forms—convey a sense of fragility and impermanence. The sparse, almost skeletal lines suggest remnants of discarded or forgotten objects, hinting at a narrative of neglect or abandonment. The dual meaning in the title invites contemplation: "refuse" as discarded material and "refuse" as a rejection or denial.
The textured surface, characteristic of Kitterle’s work, becomes a canvas for subtle storytelling. The minimalism in color and form allows the surface’s tactile qualities—scratches, marks, and imperfections—to take center stage. These surface irregularities engage the viewer in a deeper exploration of what is hidden or lost within the layers of material.
The delicate balance between presence and absence in this piece recalls the work of artists like Rachel Whiteread, who often explores the traces left behind by objects and spaces. However, Kitterle’s approach is less about casting and more about excavating—his textures suggest a process of uncovering or peeling back, revealing fragments of stories embedded within the surface.
Refuse Refuse is a contemplative piece that invites viewers to consider the remnants of both material and emotional experiences. The restrained palette and abstract forms focus attention on the interplay of texture and surface, encouraging a quiet meditation on the ephemeral nature of objects and the layers of meaning they hold. Kitterle’s use of mixed media further enriches this dialogue, blending the tactile and the conceptual to create a work that resonates with themes of loss, rejection, and the beauty found in decay.
