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Additional Artworks

From Fulton County Public Art Program

  1. Lidgetton Portal IV, Edition 16/28 by Tony Bingham, Image 1.

    Tony Bingham

    Lidgetton Portal IV, Edition 16/28, 2008

    Serigraph

    15.5 x 10 in (39.37 x 25.4 cm)

  2. Lidgetton Portal III, 2008 14/28 by Tony Bingham, Image 1.

    Tony Bingham

    Lidgetton Portal III, 2008 14/28, 2008

    Serigraph

    15.5 x 10 in (39.37 x 25.4 cm)

  3. MaAfrika-My Struggle to Become a Child (Caversham - Personal Vocabulary) by Sharlene Khan, Image 1.

    Sharlene Khan

    MaAfrika-My Struggle to Become a Child (Caversham - Personal Vocabulary), 2002

    Screeprint

    24 x 24 in (60.96 x 60.96 cm)

  4. Nge Sonto Ekuseni (One Sunday Morning) by Gabisile Nkosi, Image 2.

    Gabisile Nkosi

    Nge Sonto Ekuseni (One Sunday Morning), 2001

    Screenprint

    15.75 x 21.75 in (40.01 x 55.25 cm)

  5. National Black Arts Festival Poster 1998 by National Black Arts Festival, Image 1.

    National Black Arts Festival

    National Black Arts Festival Poster 1998, 1998

    poster

    41.25 x 27.5 in (104.78 x 69.85 cm)

  6. Motion Within (black & gold, Art at Work) by Audrey Waters, Image 1.

    Audrey Waters

    Motion Within (black & gold, Art at Work), 1997

    Wood Block Print

    8 x 6 in (20.32 x 15.24 cm)

  7. Motion Within by Audrey Waters, Image 1.

    Audrey Waters

    Motion Within, 1997

    Wood Block Print

    8 x 6 in (20.32 x 15.24 cm)

  8. National Black Arts Festival Teachers Training Academy - Hammonds House Museum by Jim Alexander, Image 1.

    Jim Alexander

    National Black Arts Festival Teachers Training Academy - Hammonds House Museum

    Photography

    21 x 26 in (53.34 x 66.04 cm)

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About the artist

Kojo Griffin

Atlanta-based artist Kojo Griffin is known for his anthropomorphic drawings that explore various states of human emotion within the context of real-life situations. His psychologically charged works feature a cast of reoccurring characters, often based on fairytale tropes. At once playful and cutting, Griffin’s figures capture the grief, heartbreak and strange realities of everyday life. Influenced by his academic background in psychology, Griffin weaves an uncertain and at times treacherous narrative, punctuated by wry humor and down-to-earth imagery.

A self-taught artist, Griffin’s work was exhibited in the Whitney Biennial 2000 at the Whitney Museum of American Art, NY and Freestyle, at The Studio Museum in Harlem, NY, NY, 2001. His work has been the subject of solo exhibitions at the Kemper Museum of Contemporary Art in Kansas City, the Tubman African American Museum in Macon, Georgia, and the Mint Museum of Art in Charlotte, North Carolina.