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Additional Artworks

From FPAC Exhibitions & Arts Lending Program

  1. Turn 13-01 by Mark Stock, Image 1.

    Mark Stock

    Turn 13-01, 2023

    Digital Archival Inkjet Print on Canvas

    40 x 40 x 1 in (101.6 x 101.6 x 2.54 cm)

  2. Turks and Caicos by Steven Edson, Image 1.

    Steven Edson

    Turks and Caicos, c. 2021

    Archival pigment print

    20 x 30 in (50.8 x 76.2 cm)

  3. Triptych V by Stephen Bergeron, Image 1.

    Stephen Bergeron

    Triptych V, 2020

    24 x 48 x 0.5 in (60.96 x 121.92 x 1.27 cm)

  4. Tulum, Mexico by Steven Edson, Image 1.

    Steven Edson

    Tulum, Mexico, c. 2017

    rchival pigment print

    20 x 30 in (50.8 x 76.2 cm)

  5. Tripping by Michael Bourque, Image 1.

    Michael Bourque

    Tripping, 2016

    acrylic on canvas with embedded photograph

    30 x 24 x 1.5 in (76.2 x 60.96 x 3.81 cm)

  6. Turn Away by Dorothea Van Camp, Image 1.

    Dorothea Van Camp

    Turn Away

    Copper plate photo etching on BFK pieces

    20 x 16 in (50.8 x 40.64 cm)

  7. Turning Gold by Anna Starkova, Image 1.

    Anna Starkova

    Turning Gold

    Acrylic on Canvas

    12 x 12 in (30.48 x 30.48 cm)

  8. Tumbled Tomatoes by Sydney Smith, Image 1.

    Sydney Smith

    Tumbled Tomatoes

    Acrylic on Canvas

    8 x 10 in (20.32 x 25.4 cm)

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About the artist

Mark Stock

USA

b. 1973

Mark J. Stock is an artist, scientist, and programmer who creates still and moving images and objects combining elements of nature, physics, chaos, computation, and algorithm. His work explores the tension between the natural world and its simulated counterpart, between organic and inorganic, digital and analog, and structure and fluid. Mark eschews the 'black box' nature of commercial software---his work is exclusively created with scientifically-accurate research software, mostly of his own design.

He has been showing work since 2000 and has been in over 100 curated and juried exhibitions since 2001, including Ars Electronica, ASPECT Magazine, Illuminus, Red Dot Design Museum, and seven SIGGRAPH Art Galleries. He has spoken at numerous scientific, graphics, and art conferences and workshops, and has published papers in a variety of fields. Mark earned a PhD in Aerospace Engineering at the University of Michigan, currently works on the largest supercomputers in the world and creates artwork in a Boston, Massachusetts live-work cooperative