architecture sometime, and imagines photographic stories all the time.
"With my various bodies of photographic projects, I engage in a dialectic search for a narrative
based on sub-textual readings of disparate images, conceptual collisions, and cultural elisions.
My subject matter has ranged from exploring Barbie’s other proportions, to reanimating
Muybridge’s freeze-frame photos, unveiling the male-gaze in Renaissance paintings, questioning
toxins in industrial architecture, exploring the dark side of clouds, and telling the tales of future
geo/politics in outer space."
His photos can be found the Fort Wayne Museum of Art, Boston Public Library, Boston Athenæum,
Bank of America Collection, Marriott, Fidelity Investments, Compaq/HP, and Boston Properties
He has received awards from CENTER /Sante Fe, Praxis Gallery, Center for Fine Art Photography,
Fort Wayne Museum of Art, The Griffin Museum of Photography, and is a Barbara Singer Artist
Awardee. He is also a Massachusetts Cultural Council Finalist, and has been recognized in 2022
with both a Photolucida Critical Mass Award and a Critical Mass Top 50 Award.
His work has been published in Lenscratch, The Photo Review, Mud Season Review, The Boston Globe,
Art New England, ArtsMedia, and Redivider Journal. His work has been written about in the blogs
Aspect-Initiative and What Will You Remember?
And his work can be seen in the High Rollers Suite scenes in the motion picture, 21, about MIT
students gaming the Las Vegas blackjack tables.
He earned a B.Arch. from the Univ. of Cincinnati. He cites his residency with painter Jake Berthot at
the International School of Art in Todi, Italy as being pivotal in the focus of his photography.
Since 1995, Heyne shares a live-work art studio with his partner, Dorothea Van Camp, in the Fort
Point neighborhood of Boston.