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Additional Artworks

From FPAC Exhibitions & Arts Lending Program

  1. Reimagined, Arboretum by Freda Shapiro, Image 1.

    Freda Shapiro

    Reimagined, Arboretum, 2024

    Gouache, oil stick on paper

    62 x 36 in (157.48 x 91.44 cm)

  2. Remembering When I by Carmela Martin, Image 1.

    Carmela Martin

    Remembering When I, c. 2020

    Acrylic on canvas

    30 x 15 x 1.5 in (76.2 x 38.1 x 3.81 cm)

  3. Remembering When II by Carmela Martin, Image 1.

    Carmela Martin

    Remembering When II, c. 2020

    Acrylic on canvas

    30 x 15 x 1.5 in (76.2 x 38.1 x 3.81 cm)

  4. remnants by Adrienne Shishko, Image 1.

    Adrienne Shishko

    remnants, 2013

    Mixed media on Canvas

    48 x 48 in (121.92 x 121.92 cm)

  5. Refractive Choreographies by MASARY, Image 7.

    MASARY

    Refractive Choreographies

    "Video installation (5) Channel display enclosure Stereo Sound"

    10 x 70 x 12 in (25.4 x 177.8 x 30.48 cm)

  6. Remote in time and Space by Mario Kon, Image 3.

    Mario Kon

    Remote in time and Space

    Cut, shaped, painted on wood

    48 x 94 x 6 in (121.92 x 238.76 x 15.24 cm)

  7. Repetition by Michael Bourque, Image 1.

    Michael Bourque

    Repetition

    Acrylic on Canvas Stretched over Wood Panel

    60 x 60 in (152.4 x 152.4 cm)

  8. Reservior Series III by Stephen Bergeron, Image 1.

    Stephen Bergeron

    Reservior Series III

    Acrylic on Canvas

    24 x 48 in (60.96 x 121.92 cm)

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About the artist

Mark Stock

USA

b. 1973

Mark J. Stock is an artist, scientist, and programmer who creates still and moving images and objects combining elements of nature, physics, chaos, computation, and algorithm. His work explores the tension between the natural world and its simulated counterpart, between organic and inorganic, digital and analog, and structure and fluid. Mark eschews the 'black box' nature of commercial software---his work is exclusively created with scientifically-accurate research software, mostly of his own design.

He has been showing work since 2000 and has been in over 100 curated and juried exhibitions since 2001, including Ars Electronica, ASPECT Magazine, Illuminus, Red Dot Design Museum, and seven SIGGRAPH Art Galleries. He has spoken at numerous scientific, graphics, and art conferences and workshops, and has published papers in a variety of fields. Mark earned a PhD in Aerospace Engineering at the University of Michigan, currently works on the largest supercomputers in the world and creates artwork in a Boston, Massachusetts live-work cooperative