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Additional Artworks

From FPAC Exhibitions & Arts Lending Program

  1. I need a cookie to feel me better by Kate Holcomb Hale, Image 5.

    Kate Holcomb Hale

    I need a cookie to feel me better, 2024

    cotton, acrylic paint, poly-fil, foam, wood,watercolor pencil, graphite, coffee, Bengal spice tea, goldfish crumbs, sesame seeds, pink eraser rubbins, pencil shavings, red wine, astromeria petals, coffee grounds

    69 x 68 x 20 in (175.26 x 172.72 x 50.8 cm)

  2. Immaculate Collision #12 by Mark Stock, Image 1.

    Mark Stock

    Immaculate Collision #12, 2017

    Digital Chromogenic Print in Glass Lamination

    30 x 19.5 x 2 in (76.2 x 49.53 x 5.08 cm)

  3. Impact by Michael Angelo Valotto, Image 2.

    Michael Angelo Valotto

    Impact, 2016

    Oil On Canvas

    36 x 36 x 1.5 in (91.44 x 91.44 x 3.81 cm)

  4. I Will Not by Kathe Izzo, Image 1.

    Kathe Izzo

    I Will Not

    Photograph/Print

    11 x 17 in (27.94 x 43.18 cm)

  5. ICA - Boston by Lonnie Ash, Image 2.

    Lonnie Ash

    ICA - Boston

    Watercolor on paper

    18 x 24 in (45.72 x 60.96 cm)

  6. I Want To Live With You, Even When We're Ghosts by Hilary Tait Norod, Image 1.

    Hilary Tait Norod

    I Want To Live With You, Even When We're Ghosts

    oil on canvas

    60 x 72 x 2 in (152.4 x 182.88 x 5.08 cm)

  7. IHOP by Brian Sage, Image 1.

    Brian Sage

    IHOP

    Oil on Canvas

    30 x 40 in (76.2 x 101.6 cm)

  8. Iceland Lava by Lisa Goren, Image 1.

    Lisa Goren

    Iceland Lava

    Watercolor

    35 x 60 in (88.9 x 152.4 cm)

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About the artist

Mark Stock

USA

b. 1973

Mark J. Stock is an artist, scientist, and programmer who creates still and moving images and objects combining elements of nature, physics, chaos, computation, and algorithm. His work explores the tension between the natural world and its simulated counterpart, between organic and inorganic, digital and analog, and structure and fluid. Mark eschews the 'black box' nature of commercial software---his work is exclusively created with scientifically-accurate research software, mostly of his own design.

He has been showing work since 2000 and has been in over 100 curated and juried exhibitions since 2001, including Ars Electronica, ASPECT Magazine, Illuminus, Red Dot Design Museum, and seven SIGGRAPH Art Galleries. He has spoken at numerous scientific, graphics, and art conferences and workshops, and has published papers in a variety of fields. Mark earned a PhD in Aerospace Engineering at the University of Michigan, currently works on the largest supercomputers in the world and creates artwork in a Boston, Massachusetts live-work cooperative