After studying printmaking at Massachusetts College of Art in Boston in the late 1990s she worked in etching, creating abstract, minimal landscapes and cityscapes.
In the mid-2000s she began experimenting with geometric, black and white wall-mounted constructions. Her interest shifted to exploring ideas of optical illusions, unknown forms with a lot of energy, arrangements which evoke a big disturbance.
Her recent work continues these ideas as wall-mounted painted wood sculptures; and in prints that combine drypoint, relief, and gold leaf.