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Additional Artworks

From FPAC Exhibitions & Arts Lending Program

  1. Catbird Cardinal, 2021, acrylic and collage on paper, 20 x 25.5, $1800 framed by Julie C Baer, Image 1.

    Julie C Baer

    Catbird Cardinal, 2021, acrylic and collage on paper, 20 x 25.5, $1800 framed, 2021

    Acrylic and collage on Arches paper

    20 x 26 x 2 in (50.8 x 66.04 x 5.08 cm)

  2. Celebrate by Joseph Koury, Image 1.

    Joseph Koury

    Celebrate, 2019

    Acrylic & Spray Paint on Canvas

    40 x 30 x 1 in (101.6 x 76.2 x 2.54 cm)

  3. CF12_740 by Mark Stock, Image 1.

    Mark Stock

    CF12_740, 2018

    Digital Archival Inkjet Print on Canvas

    40 x 40 in (101.6 x 101.6 cm)

  4. Catalyst by Michael Angelo Valotto, Image 2.

    Michael Angelo Valotto

    Catalyst, 2017

    Oil On Canvas

    48 x 48 x 1.5 in (121.92 x 121.92 x 3.81 cm)

  5. Cathedral of the Harbor (framed triptych) by Walter Baranowski, Image 1.

    Walter Baranowski

    Cathedral of the Harbor (framed triptych), 2016

    Oil on canvas

    36 x 48 x 1.5 in (91.44 x 121.92 x 3.81 cm)

  6. Ceylon Killifish by Julie C Baer, Image 1.

    Julie C Baer

    Ceylon Killifish, 2006

    Acrylic and gouache on wood panel

    24 x 24 x 0.5 in (60.96 x 60.96 x 1.27 cm)

  7. Chalkboard Diaries by Hilary Tait Norod, Image 1.

    Hilary Tait Norod

    Chalkboard Diaries

    oil, chalkboard paint, pastels, and vinyl on canvas

    36 x 48 x 2 in (91.44 x 121.92 x 5.08 cm)

  8. Caught in a Net by John Giovannucci, Image 1.

    John Giovannucci

    Caught in a Net

    Acrylic & linen on Canvas

    20 x 16 in (50.8 x 40.64 cm)

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About the artist

Mark Stock

USA

b. 1973

Mark J. Stock is an artist, scientist, and programmer who creates still and moving images and objects combining elements of nature, physics, chaos, computation, and algorithm. His work explores the tension between the natural world and its simulated counterpart, between organic and inorganic, digital and analog, and structure and fluid. Mark eschews the 'black box' nature of commercial software---his work is exclusively created with scientifically-accurate research software, mostly of his own design.

He has been showing work since 2000 and has been in over 100 curated and juried exhibitions since 2001, including Ars Electronica, ASPECT Magazine, Illuminus, Red Dot Design Museum, and seven SIGGRAPH Art Galleries. He has spoken at numerous scientific, graphics, and art conferences and workshops, and has published papers in a variety of fields. Mark earned a PhD in Aerospace Engineering at the University of Michigan, currently works on the largest supercomputers in the world and creates artwork in a Boston, Massachusetts live-work cooperative