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Additional Artworks

From Erika Koenig-Workman

  1. Leaving Saturna Island by Erika Koenig-Workman, Image 1.

    Leaving Saturna Island, 2019

    Chalk pastel on paper

    15 x 22 in (38.1 x 55.88 cm)

    C$300

  2. South Fraser Shores Climate Refugees by Erika Koenig-Workman, Image 1.

    South Fraser Shores Climate Refugees, 2018

    Acrylic On Canvas

    C$375

  3. Environmentally Sensitive Area [ESA] I, II, III Triptych by Erika Koenig-Workman, Image 2.

    Environmentally Sensitive Area [ESA] I, II, III Triptych, 2017

    Oil

    5 x 7 in (12.7 x 17.78 cm)

    C$300

  4. Del Rio Fraser River by Erika Koenig-Workman, Image 1.

    Del Rio Fraser River, FrasRiv0113

    Paint on Wood

    8 x 6.5 x 0.75 in (20.32 x 16.51 x 1.91 cm)

    C$150

  5. View from Studio 217 III by Erika Koenig-Workman, Image 1.

    View from Studio 217 III, 2011

    Chalk pastel on paper

    22 x 15 in (55.88 x 38.1 cm)

  6. View from Studio 217 IV by Erika Koenig-Workman, Image 1.

    View from Studio 217 IV, 2011

    Chalk pastel on paper

    22 x 15 in (55.88 x 38.1 cm)

    C$195

  7. View From Studio 217 V by Erika Koenig-Workman, Image 1.

    View From Studio 217 V, 2011

    Chalk pastel on paper

    22 x 15 in (55.88 x 38.1 cm)

  8. View from Studio 217 by Erika Koenig-Workman, Image 1.

    View from Studio 217, 2011

    Charcoal on paper

    22 x 15 in (55.88 x 38.1 cm)

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My inspiration as a visual artist is rooted in my Roman Catholic traditional faith, family, nature, community, and the exploration of contemporary subjects.

Experimentation is central to my creative process. I am drawn to materials and forms that ignite my imagination and open new possibilities for expression. Visions, dreams, contemplation, and intuition play an important role in shaping my innovative approach to making art.

I enjoy collaborating with other artists and exploring ideas for public art projects that create meaningful experiences and have a positive impact on people and communities.

Typography and graphic design are also integral elements of my practice. I believe words are alive—imbued with thousands of years of history, meaning, and human experience. Letters possess their own visual language and symbolism, speaking to each person in a uniquely personal way.

Through my creative practice, I seek to make the invisible visible—to give form to ideas, experiences, and realities that may otherwise remain unseen.


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