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Three figures walk in the dark

Additional Artworks

From Erika Koenig-Workman

  1. The Golden Path by Erika Koenig-Workman, Image 3.

    The Golden Path, c. 2024

    Mixed Media

    12 x 12 x 1 in (30.48 x 30.48 x 2.54 cm)

  2. South Fraser Shores Climate Refugees by Erika Koenig-Workman, Image 1.

    South Fraser Shores Climate Refugees, 2018

    Acrylic On Canvas

    C$375

  3. Ray Galawan Farmer/Machinest by Erika Koenig-Workman, Image 1.

    Ray Galawan Farmer/Machinest, 2017

    Charcoal

    22 x 16 in (55.88 x 40.64 cm)

    NFS

  4. Shalom Door or Portal by Erika Koenig-Workman, Image 8.

    Shalom Door or Portal, c. 2016

    Acrylic, charcoal, ink and gold

    16 x 12 x 2 in (40.64 x 30.48 x 5.08 cm)

    NFS

  5. The River Beneath the River by Erika Koenig-Workman, Image 1.

    The River Beneath the River, 2015

    10 x 24 in (25.4 x 60.96 cm)

    NFS

  6. The Chief Gulf of Georgia Cannery by Erika Koenig-Workman, Image 1.

    The Chief Gulf of Georgia Cannery, 2011

    Oil On Canvas and copper

    16 x 20 x 1 in (40.64 x 50.8 x 2.54 cm)

    C$375

  7. Sculpted Del Rio by Erika Koenig-Workman, Image 1.

    Sculpted Del Rio, 2011

    Plaster on wood

    5.5 x 5.5 x 2 in (13.97 x 13.97 x 5.08 cm)

    C$75

  8. Reconstructing Steveston by Erika Koenig-Workman, Image 1.

    Reconstructing Steveston, 2009

    Mixed Media

    26 x 32 in (66.04 x 81.28 cm)

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My inspiration as a visual artist is rooted in my Roman Catholic traditional faith, family, nature, community, and the exploration of contemporary subjects.

Experimentation is central to my creative process. I am drawn to materials and forms that ignite my imagination and open new possibilities for expression. Visions, dreams, contemplation, and intuition play an important role in shaping my innovative approach to making art.

I enjoy collaborating with other artists and exploring ideas for public art projects that create meaningful experiences and have a positive impact on people and communities.

Typography and graphic design are also integral elements of my practice. I believe words are alive—imbued with thousands of years of history, meaning, and human experience. Letters possess their own visual language and symbolism, speaking to each person in a uniquely personal way.

Through my creative practice, I seek to make the invisible visible—to give form to ideas, experiences, and realities that may otherwise remain unseen.


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