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My son Isaac Koenig-Workman

Additional Artworks

From Erika Koenig-Workman

  1. Here Comes My Son by Erika Koenig-Workman, Image 1.

    Here Comes My Son, c. 2025

    Mixed Media

    7 x 5 x 1 in (17.78 x 12.7 x 2.54 cm)

    C$133

  2. Kagen Koenig-Workman by Erika Koenig-Workman, Image 1.

    Kagen Koenig-Workman, 2019

    Pencil

    NFS

  3. Joshua K-O by Erika Koenig-Workman, Image 1.

    Joshua K-O, 2019

    Chalk pastel on paper

    22 x 28 in (55.88 x 71.12 cm)

    NFS

  4. Environmentally Sensitive Area [ESA] I, II, III Triptych by Erika Koenig-Workman, Image 2.

    Environmentally Sensitive Area [ESA] I, II, III Triptych, 2017

    Oil

    5 x 7 in (12.7 x 17.78 cm)

    C$300

  5. Earth Above by Erika Koenig-Workman, Image 1.

    Earth Above, 2015

    oil pastel on steel

    8 x 12.75 in (20.32 x 32.39 cm)

    C$125

  6. Journey by Erika Koenig-Workman, Image 8.

    Journey, 2012

    Acrylic, aluminium, charcoal, gold, ink and paper

    16 x 20 x 3 in (40.64 x 50.8 x 7.62 cm)

    NFS

  7. Inside Gulf of Georgia Cannery Front Door by Erika Koenig-Workman, Image 1.

    Inside Gulf of Georgia Cannery Front Door, c. 2009

    Acylic on wood

    10 x 15 x 8 in (25.4 x 38.1 x 20.32 cm)

    NFS

  8. Gulf of Georgia Cannery Sun Shower by Erika Koenig-Workman, Image 1.

    Gulf of Georgia Cannery Sun Shower, 2009

    Acrylic, chalk pastel and copper

    NFS

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My inspiration as a visual artist is rooted in my Roman Catholic traditional faith, family, nature, community, and the exploration of contemporary subjects.

Experimentation is central to my creative process. I am drawn to materials and forms that ignite my imagination and open new possibilities for expression. Visions, dreams, contemplation, and intuition play an important role in shaping my innovative approach to making art.

I enjoy collaborating with other artists and exploring ideas for public art projects that create meaningful experiences and have a positive impact on people and communities.

Typography and graphic design are also integral elements of my practice. I believe words are alive—imbued with thousands of years of history, meaning, and human experience. Letters possess their own visual language and symbolism, speaking to each person in a uniquely personal way.

Through my creative practice, I seek to make the invisible visible—to give form to ideas, experiences, and realities that may otherwise remain unseen.


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