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Additional Artworks

From Erika Koenig-Workman

  1. Child Servant King by Erika Koenig-Workman, Image 4.

    Child Servant King, c. 2023

    6 x 6 x 3.175 in (15.24 x 15.24 x 8.06 cm)

  2. Caught by Erika Koenig-Workman, Image 1.

    Caught, 2022

    Enamel

    5 x 4 x 0.125 in (12.7 x 10.16 x 0.32 cm)

    C$99

  3. Christ Kisses Death Goodbye by Erika Koenig-Workman, Image 2.

    Christ Kisses Death Goodbye, 11.24.25

    Mixed Media

    4 x 5 x 1 in (10.16 x 12.7 x 2.54 cm)

    C$133

  4. Blessed is She by Erika Koenig-Workman, Image 2.

    Blessed is She, 2020

    Acrylic and enamel

    16 x 6 x 0.5 in (40.64 x 15.24 x 1.27 cm)

    C$175

  5. Climate Refugees on the South Fraser Shores by Erika Koenig-Workman, Image 5.

    Climate Refugees on the South Fraser Shores, 2018

    Acrylic On Canvas

    16 x 20 x 0.75 in (40.64 x 50.8 x 1.91 cm)

    C$375

  6. Amadeus James by Erika Koenig-Workman, Image 1.

    Amadeus James, 2018

    Pencil Crayon

    11 x 14 in (27.94 x 35.56 cm)

    NFS

  7. Del Rio Fraser River by Erika Koenig-Workman, Image 1.

    Del Rio Fraser River, FrasRiv0113

    Paint on Wood

    8 x 6.5 x 0.75 in (20.32 x 16.51 x 1.91 cm)

    C$150

  8. Caught [Salmon] by Erika Koenig-Workman, Image 2.

    Caught [Salmon], 2011

    Acrylic On Canvas

    6 x 12 x 0.75 in (15.24 x 30.48 x 1.91 cm)

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My inspiration as a visual artist is rooted in my Roman Catholic traditional faith, family, nature, community, and the exploration of contemporary subjects.

Experimentation is central to my creative process. I am drawn to materials and forms that ignite my imagination and open new possibilities for expression. Visions, dreams, contemplation, and intuition play an important role in shaping my innovative approach to making art.

I enjoy collaborating with other artists and exploring ideas for public art projects that create meaningful experiences and have a positive impact on people and communities.

Typography and graphic design are also integral elements of my practice. I believe words are alive—imbued with thousands of years of history, meaning, and human experience. Letters possess their own visual language and symbolism, speaking to each person in a uniquely personal way.

Through my creative practice, I seek to make the invisible visible—to give form to ideas, experiences, and realities that may otherwise remain unseen.


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