Rangihīroa Panoho, Fiji\ Whiti 'The Crossover', acrylic and gold acrylic on board, 2014. Fiji examines the crossover from Fiji and asks the question, 'at what point did our tūpuna develop a consciousness of their identity as a Polynesian people? The painting features a male and female member of a crew inside a waka form.
Additional Artworks
From Dr Rangihiroa Panoho
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Ka hoka i te manu aute (ko Tuhoronuku) o Rāhiri mā runga i te pā Whiria a Hokianga, 2020
acrylic inks on paper
460 x 490 in
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He Kuri Māori a runga o te pou, preparatory sketch, 2020
acrylic ink on cotton paper with wooden components, tawa, Japanese cherry and kauri
500 x 250 in
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Kei whao, kei roto i te whare karakia Mikaera, Mihinare, Ōhaeawai, 30-Apr-21
black and white digital photograph on Hahnemuhle Photorag 308 gsm
635 x 370 in
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Ko te Pare Kawakawa, he tohu aroha, 24 April 2018, 635x635mm
colour photograph on Hahnemuhle Photorag 308 gsm
635 x 635 in
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Ko te karawhiti ki te uru inanga a te wharenui o Kawana Hori Kerei, 'arboglyphs', bamboo grove, Grey's Mansion, Kawau Island , 5 February 2017
colour photograph on Hahnemuhle Photorag 308 gsm
635 x 635 in
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Yueh, 'The People of the Axe', encaustic on board with kauri window frame, 2016
charcoal, acrylic ink, encaustic and printed paper collage
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Āku Maunga Haere
acrylic ink on paper
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Āku Maunga Haere, 1, Te Ārai Series, 2012
acrylic, watercolour, pastells and coloured inks on paper
950 x 2100 in