The Resurrection (from the Small Passion) from the collection of Dave Nesbitt- Artwork Haven 2011

The Resurrection (from the Small Passion), c. 1511

Woodcut on Laid paper

5.125 x 4 in (13.02 x 10.16 cm)

Signature: Signed in the plate with Durer's monogram in the lower right.

Inv: 302331.0001

$13,400

Available

'The Resurrection (from the Small Passion)' is a woodcut print by Durer on laid paper with Latin text on verso. M. 154, B. 45. Printed about 1512. A Certificate of Authenticity is included. Professionally framed.

A supremely gifted and versatile German artist of the Renaissance period, Albrecht Dürer (1471–1528) was born in the Franconian city of Nuremberg, one of the strongest artistic and commercial centers in Europe during the fifteenth and sixteenth centuries. He was a brilliant painter, draftsman, and writer, though his first and probably greatest artistic impact was in the medium of printmaking. Dürer apprenticed with his father, who was a goldsmith, and with the local painter Michael Wolgemut, whose workshop produced woodcut illustrations for major books and publications. An admirer of his compatriot Martin Schongauer, Dürer revolutionized printmaking, elevating it to the level of an independent art form. He expanded its tonal and dramatic range, and provided the imagery with a new conceptual foundation. By the age of thirty, Dürer had completed or begun three of his most famous series of woodcuts on religious subjects: The Apocalypse (1498; 19.73.209, 18.65.8), the Large Woodcut Passion cycle (ca. 1497–1500), and the Life of the Virgin (begun 1500). He went on to produce independent prints, such as the engraving Adam and Eve (1504; 19.73.1), and small, self-contained groups of images, such as the so-called Meisterstiche (master engravings) featuring Knight, Death, and the Devil (1513; 43.106.2), Saint Jerome in His Study (1514), and Melencolia I (1514; 43.106.1), which were intended more for connoisseurs and collectors than for popular devotion. Their technical virtuosity, intellectual scope, and psychological depth were unmatched by earlier printed work.

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From Dave Nesbitt- Artwork Haven 2011

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Additional Details

Additional Artworks

Justice after Raphael, 1880

Titian Self Portrait With a Young Woman after van Dyck, 1880

The Nativity after Albrecht Durer, 1879

Betrothal of the Virgin, c. 1600

Christ on the Mount of Olives (Christ's Agony in the Garden of Gethsemane), c. 1550

The Virgin and Child Crowned by Two Angels, c. 1550

Beast With Two Horns Like a Lamb, 1511

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