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Additional Artworks

From Dave Nesbitt- Artwork Haven 2011

  1. Rendezvous by George Stimmel, Image 3.

    George Stimmel

    Rendezvous, c. 1940

    Etching on Paper

    12.5 x 10.25 in (framed) (31.75 x 26.04 cm)

    $165

  2. Royal Courts of London by Frederick Arthur Farrell, Image 1.

    Frederick Arthur Farrell

    Royal Courts of London, 1900

    Etching on Paper

    11.5 x 13.25 in (framed) (29.21 x 33.66 cm)

    $125

  3. No Grites, Tonta (Don't Scream, Stupid) by Francisco Goya, Image 1.

    Francisco Goya

    No Grites, Tonta (Don't Scream, Stupid), 1883

    Etching on Paper

    28 x 25.5 in (framed) (71.12 x 64.77 cm)

    $1,250

  4. Titian Self Portrait With a Young Woman after van Dyck by Amand Durand, Image 1.

    Amand Durand

    Titian Self Portrait With a Young Woman after van Dyck, 1880

    Etching on Paper

    10 x 8.75 in (25.4 x 22.23 cm)

    $775

  5. The Nativity after Albrecht Durer by Amand Durand, Image 1.

    Amand Durand

    The Nativity after Albrecht Durer, 1879

    Etching on Paper

    7.375 x 4.325 in (18.73 x 10.99 cm)

    $950

  6. Christ at Emmaus-Large Plate by Rembrandt Rembrandt Harmenszoon van Rijn, Image 4.

    Rembrandt Rembrandt Harmenszoon van Rijn

    Christ at Emmaus-Large Plate, 1845

    Etching on Laid Paper

    28 x 26 in (framed) (71.12 x 66.04 cm)

    $31,500

  7. Death of the Virgin by Rembrandt Rembrandt Harmenszoon van Rijn, Image 3.

    Rembrandt Rembrandt Harmenszoon van Rijn

    Death of the Virgin, c. 1790

    Etching on Laid Paper

    35 x 32 in (framed) (88.9 x 81.28 cm)

    $38,500

  8. Christ on the Mount of Olives (Christ's Agony in the Garden of Gethsemane) by Albrecht Durer, Image 1.

    Albrecht Durer

    Christ on the Mount of Olives (Christ's Agony in the Garden of Gethsemane), c. 1550

    Etching on Laid Paper

    8.875 x 6.25 in (22.54 x 15.88 cm)

    $31,900

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About the artist

Elizabeth Piper

English

1892-1932

A British etcher and painter of the early twentieth century, Elizabeth Piper studied at the Clifton School of Art, Bristol and at the R.C.A. She later completed her education in both Belgium and Paris. She was appointed an Associate of the Royal Engravers in 1892 and was also a member of the Royal West of England Academy. During her career, Elizabeth Piper exhibited her etchings and paintings at the Royal Academy, the Royal Engravers and elsewhere. Among the many purchasers of her art were the city of Leeds and Her Majesty, Queen Victoria. She lived and worked in Chelsea, London and Stanmore, Middlesex.
After 1900, Elizabeth Piper devoted her efforts almost exclusively to her greatest artistic interest, the medium of etching. This original etching entitled, "Saint John Baptist, Yeovil" hails from a set of forty etchings published around 1910 in Bristol depicting English churches. They clearly show her delicate talents at rendering architecture and the surrounding landscapes.