A single windswept pine leans hard against the elements, its branches sculpted into a permanent gesture by years of relentless Georgian Bay wind. Below, the wave-worn granite tells the same story in stone. Chris put it best himself: “The effect of wind and water over time is evident in the form of the rocks and trees.” It’s a study in resilience — how exposure, rather than breaking something, can shape it into its most striking form.
Additional Artworks
From Chris James Cooper
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The Wind’s Eye, 2010
Oil on canvas
16 x 16 x 1 in (40.64 x 40.64 x 2.54 cm)
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An Island, Be, 2009
Oil on canvas
48 x 10 x 1 in (121.92 x 25.4 x 2.54 cm)
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Tangles of Pines, 2009
Oil on canvas
16 x 20 x 1 in (40.64 x 50.8 x 2.54 cm)
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French River, ON, 2008
Oil On Canvas
36 x 48 x 1 in (91.44 x 121.92 x 2.54 cm)
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Renewal, Algonquin Park, c. 2008
Oil On Canvas
24 x 20 x 1 in (60.96 x 50.8 x 2.54 cm)
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Fall Reflections, Algonquin Park, 2008
Oil On Canvas
18 x 14 x 0.5 in (45.72 x 35.56 x 1.27 cm)
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between_two_lakes, c. 2008
Oil on canvas
30 x 20 x 1 in (76.2 x 50.8 x 2.54 cm)
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Tree, c. 2007
Oil On Canvas
36 x 36 x 1 in (91.44 x 91.44 x 2.54 cm)