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An intricate arrangement of mechanical gears and cogs, all predominantly painted in shades of blue and grey. Each gear is meticulously detailed with interlocking teeth, giving an impression of continuous motion and industrial intricacy. However, what really stands out is the brightly colored butterfly resting delicately on one of the cogs—a striking contrast with its orange and black wings. This juxtaposition between the mechanical gears and the delicate butterfly brings forth a compelling interplay of nature and machinery, posing a captivating question: is this harmony or conflict between the organic and the technological?

From Chris James Cooper

  1. Algonquin Clouds by Chris James Cooper, Image 1.

    Algonquin Clouds, 1999

    Oil on canvas

    14 x 18 x 1 in (35.56 x 45.72 x 2.54 cm)

  2. Breaking Water, Northern Shore by Chris James Cooper, Image 1.

    Breaking Water, Northern Shore, c. 1999

    Oil on canvas board

    6 x 8 x 0.02 in (15.24 x 20.32 x 0.05 cm)

  3. Solitary Pines, Sunbeam Lake, Algonquin by Chris James Cooper, Image 1.

    Solitary Pines, Sunbeam Lake, Algonquin, 1999

    Oil On Canvas

    28 x 22 x 1 in (71.12 x 55.88 x 2.54 cm)

  4. Glacial Titans II, Baffin Island by Chris James Cooper, Image 2.

    Glacial Titans II, Baffin Island, 1999

    Oil on canvas

    18 x 24 x 1.5 in (45.72 x 60.96 x 3.81 cm)

  5. Glacial Titans, Baffin Island by Chris James Cooper, Image 1.

    Glacial Titans, Baffin Island, 1999

    Oil On Canvas

    18 x 24 x 1.5 in (45.72 x 60.96 x 3.81 cm)

  6. Island of Pines, Algonquin by Chris James Cooper, Image 1.

    Island of Pines, Algonquin, 1999

    Oil on canvas

    28 x 22 x 1 in (71.12 x 55.88 x 2.54 cm)

  7. Massasauga, Ontario by Chris James Cooper, Image 1.

    Massasauga, Ontario, 1999

    Oil on canvas

    24 x 30 x 1 in (60.96 x 76.2 x 2.54 cm)

  8. Crescent Island, Massasauga by Chris James Cooper, Image 3.

    Crescent Island, Massasauga, 1999

    Oil on canvas

    24 x 24 x 1.5 in (60.96 x 60.96 x 3.81 cm)

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