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A figurative ink study from 1990, predating the Ontario landscapes Chris became known for. It belongs to a period of serious draftsmanship — his surviving sketchbooks from European travels in the 1990s are full of studies after the masters (Picasso’s Guernica among them) alongside architectural sketches from his travels. Atlas, with its mythological subject of bearing the weight of the sky, reflects that same engagement with classical and archetypal imagery

From Chris James Cooper

  1. Sketch Book I, page 54a, 55 by Chris James Cooper, Image 3.

    Sketch Book I, page 54a, 55, 1993

    Ink On Paper

    12 x 11 in (30.48 x 27.94 cm)

    NFS

  2. Sketch Book I, page 68 by Chris James Cooper, Image 6.

    Sketch Book I, page 68, 1993

    Ink On Paper

    12 x 11 in (30.48 x 27.94 cm)

  3. Sketch Book I, page 56a by Chris James Cooper, Image 8.

    Sketch Book I, page 56a, 1993

    Ink On Paper

    12 x 11 in (30.48 x 27.94 cm)

    NFS

  4. Sketch Book I, page 26 by Chris James Cooper, Image 4.

    Sketch Book I, page 26, 1992

    Ink On Paper

    12 x 9 in (30.48 x 22.86 cm)

    NFS

  5. Sketch Book I, page 34 by Chris James Cooper, Image 1.

    Sketch Book I, page 34, 1991

    Ink On Paper

    12 x 10 in (30.48 x 25.4 cm)

    NFS

  6. Sketch Book I, page 23 by Chris James Cooper, Image 2.

    Sketch Book I, page 23, 1991

    Ink On Paper

    10 x 11 in (25.4 x 27.94 cm)

    NFS

  7. Sketch Book I, page 20 by Chris James Cooper, Image 7.

    Sketch Book I, page 20, 1991

    Ink On Paper

    12 x 11 in (30.48 x 27.94 cm)

    NFS

  8. Yukon Gold by Chris James Cooper, Image 9.

    Yukon Gold

    Oil on canvas board

    12 x 16 x 0.2 in (30.48 x 40.64 x 0.51 cm)

    $1,550

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