“Inspired by a big sky over the Georgian Bay— and the underlying concept of the metaphor of being an island in a surrounding storm.” — Chris James Cooper Nearly the entire canvas is sky — sweeping layers of cloud building above the Georgian Bay, a thin strip of warm granite at the bottom, one small island holding its place at the horizon. Chris chose an unusually tall, narrow format to give that sky exactly the room it demands. The island is a metaphor. The storm is real. The instruction in the title — Be — is the whole point.
Additional Artworks
From Chris James Cooper
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French River, 2009
Oil on canvas
10 x 20 x 1 in (25.4 x 50.8 x 2.54 cm)
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An Island Be Study: 2009. Georgian Bay, c. 2009
Oil on canvas
16 x 8 x 1 in (40.64 x 20.32 x 2.54 cm)
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Island Inlet Study: 2009, c. 2009
Oil on canvas
16 x 12 x 1 in (40.64 x 30.48 x 2.54 cm)
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Dynamic Equilibrium, Algonquin, 2009
Oil On Canvas
10 x 12 x 1 in (25.4 x 30.48 x 2.54 cm)
$960
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Fugue, 2009
Oil on canvas
30 x 40 x 1 in (76.2 x 101.6 x 2.54 cm)
$25,000
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Shiva: The Dance of Time, Algonquin, 2009
Oil On Canvas
40 x 30 x 1 in (101.6 x 76.2 x 2.54 cm)
$18,000
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Flock of Islands, 2009
Oil On Canvas
24 x 30 x 1 in (60.96 x 76.2 x 2.54 cm)
$7,800
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Passage Between the Hills, Algonquin, 2009
Oil On Canvas
30 x 20 x 1 in (76.2 x 50.8 x 2.54 cm)
$5,400