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“Inspired by a big sky over the Georgian Bay— and the underlying concept of the metaphor of being an island in a surrounding storm.” — Chris James Cooper Nearly the entire canvas is sky — sweeping layers of cloud building above the Georgian Bay, a thin strip of warm granite at the bottom, one small island holding its place at the horizon. Chris chose an unusually tall, narrow format to give that sky exactly the room it demands. The island is a metaphor. The storm is real. The instruction in the title — Be — is the whole point.

From Chris James Cooper

  1. French River by Chris James Cooper, Image 1.

    French River, 2009

    Oil on canvas

    10 x 20 x 1 in (25.4 x 50.8 x 2.54 cm)

  2. An Island Be Study: 2009. Georgian Bay by Chris James Cooper, Image 1.

    An Island Be Study: 2009. Georgian Bay, c. 2009

    Oil on canvas

    16 x 8 x 1 in (40.64 x 20.32 x 2.54 cm)

  3. Island Inlet Study: 2009 by Chris James Cooper, Image 1.

    Island Inlet Study: 2009, c. 2009

    Oil on canvas

    16 x 12 x 1 in (40.64 x 30.48 x 2.54 cm)

  4. Dynamic Equilibrium, Algonquin by Chris James Cooper, Image 1.

    Dynamic Equilibrium, Algonquin, 2009

    Oil On Canvas

    10 x 12 x 1 in (25.4 x 30.48 x 2.54 cm)

    $960

  5. Fugue by Chris James Cooper, Image 1.

    Fugue, 2009

    Oil on canvas

    30 x 40 x 1 in (76.2 x 101.6 x 2.54 cm)

    $25,000

  6. Shiva: The Dance of Time, Algonquin by Chris James Cooper, Image 1.

    Shiva: The Dance of Time, Algonquin, 2009

    Oil On Canvas

    40 x 30 x 1 in (101.6 x 76.2 x 2.54 cm)

    $18,000

  7. Flock of Islands by Chris James Cooper, Image 1.

    Flock of Islands, 2009

    Oil On Canvas

    24 x 30 x 1 in (60.96 x 76.2 x 2.54 cm)

    $7,800

  8. Passage Between the Hills, Algonquin by Chris James Cooper, Image 1.

    Passage Between the Hills, Algonquin, 2009

    Oil On Canvas

    30 x 20 x 1 in (76.2 x 50.8 x 2.54 cm)

    $5,400

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