Creating a single figure is a relatively simple challenge. The dynamic relationship between one figure and the surrounding space is defined by the gesture of the figure.

Add a second figure to the composition and everything changes. The opportunities are far more than double. Each figure interacts with space. And, each interacts with the other. The option for creating more interesting negative space expands exponentially.

Around the beginning of the pandemic, I realized that sculptures with two or more figures were much more popular than individual figures. I interpreted that to mean people needed symbols of interaction to compensate for their isolation. I also found the process more engaging with the addition of a second figure. 

“Current Event” symbolizes a relationship between two figures and how they interact with the surrounding space. As with most of my pieces, a series of sketches evolves from a simple idea. Each sketch is subjected to questions. As quickly as I create one, I ask “What if?” “What else?” and “Why not?” These three simple questions lead to the next sketch. I will create 20-30 sketches in a 4x6” sketchbook. One recent sculpture evolved after I filled two complete sketchbooks within a week.

The process of discovery doesn’t end with the sketch. That’s just the qualifying round. I’m also problem-solving as I visualize the necessary mix of techniques and materials. More importantly, I’m looking for something unique in the concept before I move to 3D. Once I cross that boundary and begin construction, the piece has a life of its own. The conversation begins. As the piece comes to life. The “What if” process continues, and the sculpture moves toward its final form.

I have changed my approach to completing sculptures. My focus has shifted from completing to perfecting. I insist that each much be better than the previous by some measure. If I fail to see that leap as the piece evolves, I put it aside for a week or a few months. I observe, rethink and continue sketching. I recently completed a piece that had been set aside for 9 months. One day, I entered my studio, looked at it and instantly knew what it needed to measure up.

In the end, the creation of a sculpture is a conversation. It is like the relationship between an actor and director as we explore the nuances of storytelling. When that conversation includes two or more figures, the discussion is more complex. And so is the eventual solution.