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This piece is an illustrative enamel brooch protected by aluminum plates, which show the painting through web-like piercings. This was part of my capstone body of work in undergrad, a group of narrative brooches. The story was about how my relationship between my body and my practice changed throughout school, and habits I developed in order to maintain dedication to my program. I fabricated this piece completely by hand. The shape of the aluminum frame comes from a meditative drawing exercise I used to do when I was going through some medical and family-related struggles, to try to transition thoughtfully into a focused creative mindset and make the most of what time and energy I had for schoolwork. The imagery is my view as I was cleaning up my own blood. Dealing with such intense, daily symptoms made me question whether I should stay in school. The rest of the pieces I made after this one are about my experience with maintaining my practice despite all the forces that were pulling me away from it.

From Cecelia Plympton

  1. I Miss You Baby by Cecelia Plympton, Image 1.

    I Miss You Baby, 2025

    Aluminum, copper, vitreous enamel, sunshine paints, fine silver, steel

    3.5 x 2.5 x 0.25 in (8.89 x 6.35 x 0.64 cm)

  2. 3am (Goodnight Studio) by Cecelia Plympton, Image 1.

    3am (Goodnight Studio), 2025

    Aluminum, copper, vitreous enamel, sunshine paints, fine silver, steel

    4.5 x 1.5 x 0.25 in (11.43 x 3.81 x 0.64 cm)

  3. Guiding Myself Back from the Disconnect by Cecelia Plympton, Image 1.

    Guiding Myself Back from the Disconnect, 2025

    Aluminum, copper, vitreous enamel, sunshine paints, fine silver, steel

    4.5 x 3.5 x 0.25 in (11.43 x 8.89 x 0.64 cm)

  4. High Risk Zone by Cecelia Plympton, Image 1.

    High Risk Zone, 2025

    Aluminum, copper, vitreous enamel, sunshine paints, fine silver, steel

    2.5 x 2 x 0.25 in (6.35 x 5.08 x 0.64 cm)

  5. I Could never Regret Holding On by Cecelia Plympton, Image 1.

    I Could never Regret Holding On, 2025

    Aluminum, copper, vitreous enamel, sunshine paints, fine silver, steel

    6 x 4 x 0.25 in (15.24 x 10.16 x 0.64 cm)

  6. Is This Where I'm Supposed to Be? by Cecelia Plympton, Image 1.

    Is This Where I'm Supposed to Be?, 2025

    Aluminum, copper, white, black and clear vitreous enamel, sunshine paint, fine silver, steel

    4.5 x 3 x 0.25 in (11.43 x 7.62 x 0.64 cm)

  7. Pontamine by Cecelia Plympton, Image 1.

    Pontamine, 2024

    Sterling Silver, Copper, Vitreous Enamel

    2 x 1.5 x 0.5 in (5.08 x 3.81 x 1.27 cm)

  8. Generations of Care by Cecelia Plympton, Image 1.

    Generations of Care, 2024

    Copper, Vitreous Enamel, Sunshine Paints

    1.25 x 1.25 x 0.12 in (3.18 x 3.18 x 0.3 cm)