"q?is" explores the serpent's place in Klamath cosmology through the intimate medium of intaglio copper plate etching. Created using drypoint technique, this print captures the essential nature of the snake—neither good nor evil, but a being of transformation and renewal that moves between worlds. The copper plate, scored and scarred by the artist's hand, mirrors the snake's ability to shed and regenerate, each line pressed into metal becoming a pathway of meaning. In Klamath tradition, q?is embodies the cycles of earth and season, the necessary medicine of change that allows life to continue. The print's matrix of marks creates a visual language for this ancient knowledge, translating the snake's wisdom into contemporary form. Through the pressure of the printing process, the image emerges from darkness into light, echoing the snake's emergence from winter's underground world into spring's renewal. The work honors the serpent not as symbol but as teacher, acknowledging the profound intelligence that moves through the world in forms both seen and unseen.
Additional Artworks
From Camas Logue
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naat ?a hi? it (we are still here), 2022
Oil and graphite on Rives BFK
29.5 x 41.5 in (74.93 x 105.41 cm)
$10,000
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On Wednesdays eagles get fed the salmon guts, 2022
Oil and graphite on wood panel
30 x 40 x 1.5 in (76.2 x 101.6 x 3.81 cm)
$10,000
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c'waam, c. 2022
copper plate dry point
17.75 x 28.25 in (paper) (45.09 x 71.76 cm)
$900
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Cordelia Flat, c. 2022
copper plate etching
23 x 16.75 in (paper) (58.42 x 42.55 cm)
$900
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The Stars Fell Like Rain, c. 2022
copper plate etching
15 x 16 in (paper) (38.1 x 40.64 cm)
$700
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kani del hoot skell, c. 2022
copper plate etching
15 x 16 in (paper) (38.1 x 40.64 cm)
$700
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sčičudᶻ (narrow place) hole in the wall, c. 2021
Oak gull Iron ink, walnut ink, and Caran d'Ache Supracolor Soft Aquarelleon White on Rives BFK
29.5 x 41.5 in (74.93 x 105.41 cm)
$10,000
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Salmon Sky/Yellow Eyes II, c. 2019
Oil and graphite on wood panel
24 x 20 x 1.5 in (60.96 x 50.8 x 3.81 cm)
$7,000