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Additional Artworks

From BARE Walls

  1. Rawa 2 by Sam Wróbel, Image 1.

    Sam Wróbel

    Rawa 2, 2026

    Paper

    11.25 x 9.25 x 1 in

    $150

  2. Stories Made of Sand by Eliza Hinrichs, Image 1.

    Eliza Hinrichs

    Stories Made of Sand, 2026

    Oil paint on stretched canvas

    20 x 16 x 0.5 in

    $300

  3. Seeing You Seeing Me by Eliza Hinrichs, Image 1.

    Eliza Hinrichs

    Seeing You Seeing Me, 2026

    Oil paint on stretched canvas

    48 x 36 x 2 in

    $3,000

  4. The Boy and His Cello by Stephen Stewart, Image 1.

    Stephen Stewart

    The Boy and His Cello, 2025

    Acrylic and Graphite

    24 x 20 in

    $960

  5. Toussaint by Drake LeBlanc, Image 2.

    Drake LeBlanc

    Toussaint, 2024

    Digital Print on Canvas

    24 x 36 in

    $640

  6. Writing in Fra Angelico's Garden (For Joan Mitchell) by John Hathorn, Image 1.

    John Hathorn

    Writing in Fra Angelico's Garden (For Joan Mitchell), 2018

    oil on canvas

    78 x 72 in

  7. #2715 by Brooke Hoogendoorn, Image 1.

    Brooke Hoogendoorn

    #2715

    mixed media on canvas

    48 x 36 in

    $2,250

  8. #2714 by Brooke Hoogendoorn, Image 1.

    Brooke Hoogendoorn

    #2714

    mixed media on canvas

    40 x 30 in

    $1,675

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About the artist

Kathy Mere

Based in Lafayette, Louisiana, Kathy Mere paints her subjects intuitively. Her work, whether purely abstract or figurative, bears the aura of reality; she translates her figures into spiritual portraits, her landscapes into metaphysical representations of each place, her still lifes anything but still. A self-described optimist, she paints with the intention of transferring the joy she feels in her subjective experiences to whoever brings her work home. Uncomplicated collage finds its way into some of Mere’s paintings, mostly by way of postage stamps. The stamps represent all kinds of meaning – they’re symbolic of both physical and metaphorical travel, and for the artist they represent communication and interconnectedness. Mere’s paintings often glean inspiration from the pulsing drums and dancing of Native American powwows, informed by her relationships with members of Louisiana tribes. Her multimedia canvases are collected both locally and throughout the U.S. Mere shows work with Basin Arts, Sans Souci Fine Crafts Gallery, NUNU Arts & Culture Collective, and the Lafayette Art Association; she currently keeps an open studio and gallery space at Basin Arts in Lafayette, Louisiana.
Image of artist