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Additional Artworks

From BARE Walls

  1. February Heron by Pat Love, Image 1.

    Pat Love

    February Heron, 2026

    Mixed Media

    24 x 18 in

    $300

  2. Where in the Universe #4 by Arthur McViccar, Image 1.

    Arthur McViccar

    Where in the Universe #4, 2026

    Wood, Paint

    23 x 20 x 2 in

    $425

  3. Seeing You Seeing Me by Eliza Hinrichs, Image 1.

    Eliza Hinrichs

    Seeing You Seeing Me, 2026

    Oil paint on stretched canvas

    48 x 36 x 2 in

    $3,000

  4. Big Pink by Lynda Frese, Image 1.

    Lynda Frese

    Big Pink, 2025

    pigment print collage with egg tempera, ink, pastel on wood panel

    16 x 20 x 1 in

    $2,200

  5. Purple Reign #1 by Bach Prados, Image 1.

    Bach Prados

    Purple Reign #1, 2025

    Photography

    19.5 x 25.5 x 2 in

    $325

  6. Bloodline by Bryant Benoit, Image 1.

    Bryant Benoit

    Bloodline

    mixed media collage, acrylic & paper on canvas

    16 x 20 in

  7. Fish, Number 1 by Julie Siracusa, Image 2.

    Julie Siracusa

    Fish, Number 1

    Oil on canvas

    12 x 36 x 2.5 in

    $4,500

  8. Walking Home from Cajun Dome, Part 2 by Lindsey Jenneman, Image 2.

    Lindsey Jenneman

    Walking Home from Cajun Dome, Part 2

    Acrylic on Canvas

    20 x 16 in

    $640

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About the artist

Kathy Mere

Based in Lafayette, Louisiana, Kathy Mere paints her subjects intuitively. Her work, whether purely abstract or figurative, bears the aura of reality; she translates her figures into spiritual portraits, her landscapes into metaphysical representations of each place, her still lifes anything but still. A self-described optimist, she paints with the intention of transferring the joy she feels in her subjective experiences to whoever brings her work home. Uncomplicated collage finds its way into some of Mere’s paintings, mostly by way of postage stamps. The stamps represent all kinds of meaning – they’re symbolic of both physical and metaphorical travel, and for the artist they represent communication and interconnectedness. Mere’s paintings often glean inspiration from the pulsing drums and dancing of Native American powwows, informed by her relationships with members of Louisiana tribes. Her multimedia canvases are collected both locally and throughout the U.S. Mere shows work with Basin Arts, Sans Souci Fine Crafts Gallery, NUNU Arts & Culture Collective, and the Lafayette Art Association; she currently keeps an open studio and gallery space at Basin Arts in Lafayette, Louisiana.
Image of artist