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Additional Artworks

From BARE Walls

  1. Making Home by Eliza Hinrichs, Image 1.

    Eliza Hinrichs

    Making Home, 2026

    Oil paint on stretched canvas

    36 x 48 x 2 in

  2. Sentinel by Kristie Cornell, Image 2.

    Kristie Cornell

    Sentinel, 2024

    Chromogenic Print

    25 x 25 in

  3. Purple & Pink Paradise by Bach Prados, Image 2.

    Bach Prados

    Purple & Pink Paradise, 2024

    Photography

    19 x 25 x 1.75 in

    $325

  4. Black and Pink by Karen deClouet, Image 1.

    Karen deClouet

    Black and Pink, 2017

    Acrylic On Canvas

    48 x 36 x 1.5 in

    $2,600

  5. Franklin Street Lights by Philip Gould, Image 4.

    Philip Gould

    Franklin Street Lights

    archival print

    13 x 19 in

  6. Braille Series No. 14 by Mary Ellen Leger-Hathorn, Image 2.

    Mary Ellen Leger-Hathorn

    Braille Series No. 14

    Acrylic, Braille paper, text on canvas

    48 x 48 in

  7. Braille Series No. 2 by Mary Ellen Leger-Hathorn, Image 2.

    Mary Ellen Leger-Hathorn

    Braille Series No. 2

    Acrylic, Braille paper, text on canvas

    24 x 20 in

  8. In the Bayou by Juanita Leonard, Image 2.

    Juanita Leonard

    In the Bayou

    Acrylic on canvas

    22 x 18 in

    $899

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About the artist

Susan David

My work blends elements of religion, mythology, and the feminine. It is largely inspired visual culture research exploring the History of the Shadow, Film/Literature, and the symbolic nature of Water in connection with the human form. I entwine them with narrative to invoke a broader context to discuss the fractured world and the Other. In order to do so I strive to look more closely. Sometimes through a mirror, at the Other and sometimes at my shadow (both the outline and my doppelgänger.)

Theses ideas allow me to express the cyclical nature of our lives. To be forever waiting. Of being able to make connections and cutting them. Of being in between spaces. Liminality. Floating in limbo knowing something is coming but it is inescapable, familiar, and haunting. Yet still we wait in this limbo of being. This nature of re-flection for me is an active displacement. My works are just the output. They are my stream of consciousness made tangible; but really they are a key. These preoccupations come from a culmination of my memory, History, my mindset as a printmaker, my interest in architecture and land, my interest in the body and the strange limbo we live in.
Image of artist