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Additional Artworks

From BARE Walls

  1. Faith Unfolding by Janie Varisco, Image 1.

    Janie Varisco

    Faith Unfolding, 2026

    Acrylic on canvas

    18 x 14 in

    $300

  2. Constructor by Eliza Hinrichs, Image 1.

    Eliza Hinrichs

    Constructor, 2025

    Oil paint on wooden panel

    20 x 32 x 0.5 in

    $1,200

  3. Inventory by Kate Gordon, Image 1.

    Kate Gordon

    Inventory, 2024

    Fluid Acrylic on Mixed Media Paper and Photos w/Thread

    14.5 x 14 x 1.5 in

    $800

  4. Wisteria in Deep Shade by Claire Dawkins, Image 2.

    Claire Dawkins

    Wisteria in Deep Shade, c. 2023

    oil on canvas

    16 x 20 x 0.75 in

    $500

  5. Prancing Egret, Lake Martin by Peggy Walters, Image 1.

    Peggy Walters

    Prancing Egret, Lake Martin, c. 2017

    Oil On Canvas

    24 x 30 x 1.5 in

  6. Le violon sur le porche by Herb Roe, Image 1.

    Herb Roe

    Le violon sur le porche, c. 2015

    oil on canvas

    24 x 18 in

    $2,000

  7. The Baudelaire Sketches (Water, Clouds, Silence, Night) by John Hathorn, Image 1.

    John Hathorn

    The Baudelaire Sketches (Water, Clouds, Silence, Night), 2010

    Oil and charcoal on canvas, oil on wood

    68 x 72 x 3 in

  8. October Morning by Phyllis Lear, Image 2.

    Phyllis Lear

    October Morning, 1999

    Oil pastel, colored pencil on primed paper

    11.25 x 17.25 in

    $109

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About the artist

Kathy Mere

Based in Lafayette, Louisiana, Kathy Mere paints her subjects intuitively. Her work, whether purely abstract or figurative, bears the aura of reality; she translates her figures into spiritual portraits, her landscapes into metaphysical representations of each place, her still lifes anything but still. A self-described optimist, she paints with the intention of transferring the joy she feels in her subjective experiences to whoever brings her work home. Uncomplicated collage finds its way into some of Mere’s paintings, mostly by way of postage stamps. The stamps represent all kinds of meaning – they’re symbolic of both physical and metaphorical travel, and for the artist they represent communication and interconnectedness. Mere’s paintings often glean inspiration from the pulsing drums and dancing of Native American powwows, informed by her relationships with members of Louisiana tribes. Her multimedia canvases are collected both locally and throughout the U.S. Mere shows work with Basin Arts, Sans Souci Fine Crafts Gallery, NUNU Arts & Culture Collective, and the Lafayette Art Association; she currently keeps an open studio and gallery space at Basin Arts in Lafayette, Louisiana.
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