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Additional Artworks

From BARE Walls

  1. Crow Poison by Susan David, Image 1.

    Susan David

    Crow Poison, c. 2025

    silkscreen on tan arches, hand embellished

    14 x 10.8 in

    $250

  2. Behind the Warehouse by Rachel Perry, Image 1.

    Rachel Perry

    Behind the Warehouse, c. 2021

    Acrylic on canvas

    36 x 18 in

    $500

  3. Yellowfin Tuna by Micah "Guy" Patout, Image 1.

    Micah "Guy" Patout

    Yellowfin Tuna

    oil on canvas

    24 x 48 in

    $4,200

  4. Morning Ascent by Doug Nehrbass, Image 1.

    Doug Nehrbass

    Morning Ascent

    Acrylic on Canvas

    32 x 42 x 1.5 in

    $1,850

  5. Enduring Love by Kimberley Edmond, Image 2.

    Kimberley Edmond

    Enduring Love

    Acrylic on Wood

    9 x 12 in

    $200

  6. Oyster Trio by Lindsey Jenneman, Image 2.

    Lindsey Jenneman

    Oyster Trio

    Original Acrylic on Canvas

    24 x 36 in

    $3,240

  7. Braille Series / Decline and Fall III by Mary Ellen Leger-Hathorn, Image 2.

    Mary Ellen Leger-Hathorn

    Braille Series / Decline and Fall III

    Acrylic, tea, book pages on canvas

    8 x 61 in

  8. Lost In Thought by Julie Breaux, Image 2.

    Julie Breaux

    Lost In Thought

    Acrylic on canvas

    36 x 24 in

    $1,080

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About the artist

Kathy Mere

Based in Lafayette, Louisiana, Kathy Mere paints her subjects intuitively. Her work, whether purely abstract or figurative, bears the aura of reality; she translates her figures into spiritual portraits, her landscapes into metaphysical representations of each place, her still lifes anything but still. A self-described optimist, she paints with the intention of transferring the joy she feels in her subjective experiences to whoever brings her work home. Uncomplicated collage finds its way into some of Mere’s paintings, mostly by way of postage stamps. The stamps represent all kinds of meaning – they’re symbolic of both physical and metaphorical travel, and for the artist they represent communication and interconnectedness. Mere’s paintings often glean inspiration from the pulsing drums and dancing of Native American powwows, informed by her relationships with members of Louisiana tribes. Her multimedia canvases are collected both locally and throughout the U.S. Mere shows work with Basin Arts, Sans Souci Fine Crafts Gallery, NUNU Arts & Culture Collective, and the Lafayette Art Association; she currently keeps an open studio and gallery space at Basin Arts in Lafayette, Louisiana.
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