Skip to profile content
Discovery
Log In

Inspired by a trip to the Key West Butterfly and Nature Conservatory, this piece is done in Black and Green .005 Micron Pens

Additional Artworks

From Barbara Wentzell Jaquith

  1. Everafter-ness by Barbara Wentzell Jaquith, Image 1.

    Everafter-ness, 2023

    Pastels

    11 x 9.5 x 2 in

    $75

  2. Appalachian Meadow by Barbara Wentzell Jaquith, Image 2.

    Appalachian Meadow, 2023

    Sennelier Pastel on Velvet Paper

    11 x 9.5 x 1 in

    $100

  3. The Watchers 2 by Barbara Wentzell Jaquith, Image 1.

    The Watchers 2, 2023

    Black Micron Pen on paper

    9 x 9 x 1 in

    $200

  4. The Watchers 1 by Barbara Wentzell Jaquith, Image 1.

    The Watchers 1, c. 2023

    Black Micron Pen on paper

    9 x 9 x 1 in

    $200

  5. Roots Series 3: Holderness by Barbara Wentzell Jaquith, Image 1.

    Roots Series 3: Holderness, 2023

    Mixed Media: Micron Pen and Watercolor Wash

    12 x 9 x 1 in

    $120

  6. Roots Series 9; Lewiston by Barbara Wentzell Jaquith, Image 1.

    Roots Series 9; Lewiston, 2023

    Mixed Media: Micron Pen and Watercolor Wash

    12 x 9 x 1 in

    NFS

  7. Estuary at Sunset; Pawley's Island by Barbara Wentzell Jaquith, Image 1.

    Estuary at Sunset; Pawley's Island, 2023

    Watercolor

    11 x 14 x 1 in

    $50

  8. Butterfly 1 by Barbara Wentzell Jaquith, Image 1.

    Butterfly 1, 2023

    Sienna Micron Pen on Paper

    16 x 13 x 1 in

    $350

View All Artworks

Hello and thank you for visiting.

ARTISTS STATEMENT

I am a Social Practice artist who works plein air. When I am standing at the easel, I often chat with passers-by as I work. During these moments, art transcends linguistic and cultural barriers. When I create a piece on-site, I use a universal visual language to explore complex emotions with viewers. The interplay between the artist and the observer is a pathway to each other's stories and to a deeper connection and understanding. My plein air practice is a form of social commentary, sparking dialogue and perhaps encouraging social or political change.

My art is meant to evoke empathy and understanding for our world. I use a variety of materials to translate a shape or movement from nature into a work that will raise questions. I routinely switch between an abstract style and realism to explore the relationship between form and formlessness. Plein air work is a magical way to build deeper capacity for abstract thought and symbolic expression. For me, making art is a path toward self-discovery and spiritual and intellectual enlightenment.