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The Creek changes moods as day becomes dusk.

Additional Artworks

From Barbara Wentzell Jaquith

  1. Nothing Gold Can Stay by Barbara Wentzell Jaquith, Image 1.

    Nothing Gold Can Stay, 2025

    Sennelier Pastel on Velvet

    12.5 x 9.5 x 1 in

  2. A Way Through the Woods by Barbara Wentzell Jaquith, Image 1.

    A Way Through the Woods, 2025

    Sennelier Pastel on Velvet

    12.5 x 9.5 x 1 in

  3. Lavender Moon Over Lake Lanier by Barbara Wentzell Jaquith, Image 1.

    Lavender Moon Over Lake Lanier, 2025

    Sennelier Pastel on Velvet Paper

    12.5 x 9.5 x 1 in

    NFS

  4. Deep Meadow Clearing by Barbara Wentzell Jaquith, Image 1.

    Deep Meadow Clearing, 2025

    Sennelier Pastel on Velvet

    9 x 12 x 1 in

    $75

  5. Fall Comes to Lake Lanier by Barbara Wentzell Jaquith, Image 1.

    Fall Comes to Lake Lanier, 2025

    Sennelier Pastel on Velvet

    12.5 x 9.5 x 1 in

    $100

  6. Tanyard Creek by Barbara Wentzell Jaquith, Image 1.

    Tanyard Creek, 2025

    Sennelier Pastel on Velvet

    12.5 x 9.5 x 1 in

    NFS

  7. The Red Boat House, Squam Lake, NH by Barbara Wentzell Jaquith, Image 1.

    The Red Boat House, Squam Lake, NH, 2025

    Sennelier Pastel on Velvet

    12.5 x 9.55 x 1 in

  8. Creek Rising by Barbara Wentzell Jaquith, Image 1.

    Creek Rising, 2025

    Pastel on board

    11 x 14 x 1 in

    $500

View All Artworks

Hello and thank you for visiting.

ARTISTS STATEMENT

I am a Social Practice artist who works plein air. When I am standing at the easel, I often chat with passers-by as I work. During these moments, art transcends linguistic and cultural barriers. When I create a piece on-site, I use a universal visual language to explore complex emotions with viewers. The interplay between the artist and the observer is a pathway to each other's stories and to a deeper connection and understanding. My plein air practice is a form of social commentary, sparking dialogue and perhaps encouraging social or political change.

My art is meant to evoke empathy and understanding for our world. I use a variety of materials to translate a shape or movement from nature into a work that will raise questions. I routinely switch between an abstract style and realism to explore the relationship between form and formlessness. Plein air work is a magical way to build deeper capacity for abstract thought and symbolic expression. For me, making art is a path toward self-discovery and spiritual and intellectual enlightenment.