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A view suspended between land and water.

Additional Artworks

From Barbara Wentzell Jaquith

  1. A Spring Day on the Chattahoochee by Barbara Wentzell Jaquith, Image 4.

    A Spring Day on the Chattahoochee, 2025

    Soft Pastels on Sanded Velvet

    9.5 x 11 x 2 in

  2. What Would Madame Monet Do? by Barbara Wentzell Jaquith, Image 1.

    What Would Madame Monet Do?, 2025

    Sennelier Pastel on Velvet

    11.5 x 9.5 x 1 in

  3. Sand Dunes on Pawley’s Island by Barbara Wentzell Jaquith, Image 5.

    Sand Dunes on Pawley’s Island, 2025

    Soft Pastel on Sanded Velvet

    9.5 x 11 x 1 in

    NFS

  4. May I Live This Day by Barbara Wentzell Jaquith, Image 1.

    May I Live This Day, 2025

    Sennelier Pastel on Velvet

    11 x 9.5 x 1 in

  5. The Road Not Taken by Barbara Wentzell Jaquith, Image 1.

    The Road Not Taken, 2025

    Sennalier Pastel on Sanded Velvet

    12 x 9 x 1 in

    $100

  6. The Raven by Barbara Wentzell Jaquith, Image 1.

    The Raven, 2025

    Watercolor and Micron Pen

    12 x 8 x 1 in

    $100

  7. Partisans by Barbara Wentzell Jaquith, Image 1.

    Partisans, 2025

    Watercolor and Pastel

    14 x 20 x 1 in

    $500

  8. The Garden at Zonolite by Barbara Wentzell Jaquith, Image 1.

    The Garden at Zonolite, 2025

    Sennelier Pastel on Velvet

    9 x 12 x 1 in

View All Artworks

Hello and thank you for visiting.

ARTISTS STATEMENT

I am a Social Practice artist who works plein air. When I am standing at the easel, I often chat with passers-by as I work. During these moments, art transcends linguistic and cultural barriers. When I create a piece on-site, I use a universal visual language to explore complex emotions with viewers. The interplay between the artist and the observer is a pathway to each other's stories and to a deeper connection and understanding. My plein air practice is a form of social commentary, sparking dialogue and perhaps encouraging social or political change.

My art is meant to evoke empathy and understanding for our world. I use a variety of materials to translate a shape or movement from nature into a work that will raise questions. I routinely switch between an abstract style and realism to explore the relationship between form and formlessness. Plein air work is a magical way to build deeper capacity for abstract thought and symbolic expression. For me, making art is a path toward self-discovery and spiritual and intellectual enlightenment.