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Montana Aspens

Additional Artworks

From Barbara Wentzell Jaquith

  1. Beanache (Blessing) by Barbara Wentzell Jaquith, Image 1.

    Beanache (Blessing), 2025

    Sennelier Pastel on Velvet Paper

    9 x 11 x 1 in

    $125

  2. Along the Marginal Way by Barbara Wentzell Jaquith, Image 1.

    Along the Marginal Way, 2025

    Sennelier Pastel on Velvet

    12.5 x 9.5 x 1 in

  3. Last Tree Standing by Barbara Wentzell Jaquith, Image 2.

    Last Tree Standing, 2025

    Sennelier Pastel on Velvet

    11 x 9 x 1 in

  4. Doris the Tortoise by Barbara Wentzell Jaquith, Image 1.

    Doris the Tortoise, 2025

    Sennelier Pastel on Velvet

    11 x 9 x 1 in

  5. Form and Formless by Barbara Wentzell Jaquith, Image 1.

    Form and Formless, 2024

    Micon Pen and Watercolor

    8 x 12 x 1 in

    $150

  6. Winter Along the Chattahoochee Riverbank. by Barbara Wentzell Jaquith, Image 1.

    Winter Along the Chattahoochee Riverbank., 2024

    Soft Pastel on Sanded Velvet

    9.5 x 12.5 x 2 in

    NFS

  7. Old Faithful Erupting by Barbara Wentzell Jaquith, Image 3.

    Old Faithful Erupting, 2024

    Soft Pastel on Sanded Velvet

    11 x 9.5 x 1 in

    NFS

  8. Woman at the Waterfall by Barbara Wentzell Jaquith, Image 1.

    Woman at the Waterfall, 2024

    Watercolor

    16 x 12 x 1 in

    $225

View All Artworks

Hello and thank you for visiting.

ARTISTS STATEMENT

I am a Social Practice artist who works plein air. When I am standing at the easel, I often chat with passers-by as I work. During these moments, art transcends linguistic and cultural barriers. When I create a piece on-site, I use a universal visual language to explore complex emotions with viewers. The interplay between the artist and the observer is a pathway to each other's stories and to a deeper connection and understanding. My plein air practice is a form of social commentary, sparking dialogue and perhaps encouraging social or political change.

My art is meant to evoke empathy and understanding for our world. I use a variety of materials to translate a shape or movement from nature into a work that will raise questions. I routinely switch between an abstract style and realism to explore the relationship between form and formlessness. Plein air work is a magical way to build deeper capacity for abstract thought and symbolic expression. For me, making art is a path toward self-discovery and spiritual and intellectual enlightenment.