Skip to profile content
Log In

Additional Artworks

From Art Alba Gallery

  1. Peňa de Bernal by Jorge Gasteazoro, Image 4.

    Jorge Gasteazoro

    Peňa de Bernal, 2003

    Platinum

    51 x 61 cm

    US$4,000

  2. Woman III by Lucia Prata, Image 1.

    Lucia Prata

    Woman III, 2002

    Bronze

    18 x 12 x 12 cm

    US$1,000

  3. Men's Hairstyling by J Michael Lardizabal, Image 1.

    J Michael Lardizabal

    Men's Hairstyling, 1997

    Platinum

    23 x 27 cm

    US$1,000

  4. Lynn, Paradise Cove 1985 by Herb Ritts, Image 3.

    Herb Ritts

    Lynn, Paradise Cove 1985, 1985

    Photograph

    51 x 41 cm

    US$1,200

  5. Fred With Tires by Herb Ritts, Image 4.

    Herb Ritts

    Fred With Tires, 1984

    Photograph

    51 x 41 cm

    US$2,000

  6. Silence by Patrick Caulfield, Image 4.

    Patrick Caulfield

    Silence, 1973

    Screenprint

    51 x 41 cm

    US$1,000

  7. time indoors by Patrick Caulfield, Image 2.

    Patrick Caulfield

    time indoors, 1973

    Screenprint

    51 x 41 cm

    US$1,000

  8. Midnight Sun 1959 by Helge Heinonen, Image 1.

    Helge Heinonen

    Midnight Sun 1959, 1959

    Photograph

    13 x 18 cm

    US$200

View All Artworks

About the artist

Patrick Caulfield

British

1936-2005

Caulfield (1936-2005) was a British painter and printmaker, born in London, where he studied at Chelsea School of Art, 1956–9, and the Royal College of Art, 1959–63. In 1963 he began teaching at Chelsea School of Art and in 1965 he had his first one-man exhibition at the Robert Fraser Gallery, London. His work shared with artists such as Peter Blake and David Hockney a sense that the imagery was ‘in quotation marks’, so undermining the division between abstract and figurative art. The flat colour and black outlines of his painting (in his early work the impersonal surface was achieved by the use of gloss paint on board) were sometimes compared to Roy Lichtenstein, although the American painter's work was unknown to him when Caulfield first established his style. He took up screenprinting in 1964 and the following year won a prize for graphics at the Paris Biennale. Subsequently print was an important part of his output. An exhibition was devoted to his work at the Tate Gallery, London, in 1981 and another at the Hayward Gallery in 1999. He was recognised as one of the most important artists of his generation and his works feature in the world's greatest museums and collections.
Image of artist