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Additional Artworks

From Art Alba Gallery

  1. Ein Klein, Nachtmusik by KASM, Image 6.

    KASM

    Ein Klein, Nachtmusik, 2025

    Mixed Media

    46 x 38 x 3 cm

    US$1,500

  2. St Stephen's Birds by Lisa Vivona, Image 2.

    Lisa Vivona

    St Stephen's Birds, 2002

    Gelatin Silver Print

    36 x 28 cm

    US$800

  3. Pool-side Rock Star by Adrian Wiszniewski, Image 1.

    Adrian Wiszniewski

    Pool-side Rock Star, 1991

    Etching

    57 x 54 cm

    US$1,500

  4. Portrait Head by Adrian Wiszniewski, Image 2.

    Adrian Wiszniewski

    Portrait Head, 1991

    Etching

    57 x 54 cm

    US$1,500

  5. Half Moon Bay by Robert Werling, Image 4.

    Robert Werling

    Half Moon Bay, 1970

    Gelatin Silver Print

    41 x 51 cm

    US$2,000

  6. Jewish Giant 1970 by Diane Arbus, Image 1.

    Diane Arbus

    Jewish Giant 1970, 1970

    Photograph

    21 x 21 cm

    US$2,500

  7. Dame Margot Fonteyn 1957 by Karsh, Image 3.

    Karsh

    Dame Margot Fonteyn 1957, 1957

    Photograph

    31 x 25 cm

    US$1,500

  8. Wrecked Car, North Coast by Edward Weston, Image 6.

    Edward Weston

    Wrecked Car, North Coast, 1939

    Gelatin Silver Print

    21 x 26 cm

    US$10,000

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About the artist

Patrick Caulfield

British

1936-2005

Caulfield (1936-2005) was a British painter and printmaker, born in London, where he studied at Chelsea School of Art, 1956–9, and the Royal College of Art, 1959–63. In 1963 he began teaching at Chelsea School of Art and in 1965 he had his first one-man exhibition at the Robert Fraser Gallery, London. His work shared with artists such as Peter Blake and David Hockney a sense that the imagery was ‘in quotation marks’, so undermining the division between abstract and figurative art. The flat colour and black outlines of his painting (in his early work the impersonal surface was achieved by the use of gloss paint on board) were sometimes compared to Roy Lichtenstein, although the American painter's work was unknown to him when Caulfield first established his style. He took up screenprinting in 1964 and the following year won a prize for graphics at the Paris Biennale. Subsequently print was an important part of his output. An exhibition was devoted to his work at the Tate Gallery, London, in 1981 and another at the Hayward Gallery in 1999. He was recognised as one of the most important artists of his generation and his works feature in the world's greatest museums and collections.
Image of artist