Skip to profile content
Log In

Additional Artworks

From Art Alba Gallery

  1. Leaf Study by Mark Eshbaugh, Image 1.

    Mark Eshbaugh

    Leaf Study, 1999

    Platinum

    31 x 41 cm

    US$1,500

  2. Spotlight by Adrian Wiszniewski, Image 1.

    Adrian Wiszniewski

    Spotlight, 1991

    Etching

    57 x 54 cm

    US$1,500

  3. Diamond Landscape by Adrian Wiszniewski, Image 1.

    Adrian Wiszniewski

    Diamond Landscape, 1991

    Etching

    57 x 54 cm

    US$1,500

  4. Carran Church by John Wimberley, Image 3.

    John Wimberley

    Carran Church, 1986

    Gelatin Silver Print

    56 x 72 cm

    US$2,500

  5. Hommage aux Prix Nobel by Eduardo Paolozzi, Image 5.

    Eduardo Paolozzi

    Hommage aux Prix Nobel, 1974

    Screenprint

    86 x 68 cm

    US$3,000

  6. Pont d'Iena 1958 by Erich Angenendt, Image 3.

    Erich Angenendt

    Pont d'Iena 1958, c. 1958

    Photograph

    25 x 18 cm

    US$800

  7. Behind The Bamboo Screen 1951 by Wu Francis, Image 3.

    Wu Francis

    Behind The Bamboo Screen 1951, 1951

    Photograph

    20 x 16 cm

    US$500

  8. New York Interior by Edward Weston, Image 4.

    Edward Weston

    New York Interior, 1941

    Platinum

    35 x 28 cm

    US$25,000

View All Artworks

About the artist

Patrick Caulfield

British

1936–2005

Caulfield (1936-2005) was a British painter and printmaker, born in London, where he studied at Chelsea School of Art, 1956–9, and the Royal College of Art, 1959–63. In 1963 he began teaching at Chelsea School of Art and in 1965 he had his first one-man exhibition at the Robert Fraser Gallery, London. His work shared with artists such as Peter Blake and David Hockney a sense that the imagery was ‘in quotation marks’, so undermining the division between abstract and figurative art. The flat colour and black outlines of his painting (in his early work the impersonal surface was achieved by the use of gloss paint on board) were sometimes compared to Roy Lichtenstein, although the American painter's work was unknown to him when Caulfield first established his style. He took up screenprinting in 1964 and the following year won a prize for graphics at the Paris Biennale. Subsequently print was an important part of his output. An exhibition was devoted to his work at the Tate Gallery, London, in 1981 and another at the Hayward Gallery in 1999. He was recognised as one of the most important artists of his generation and his works feature in the world's greatest museums and collections.
Image of artist