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Additional Artworks

From Art Alba Gallery

  1. Braiding by Li Nan, Image 1.

    Li Nan

    Braiding, 1993

    Gelatin Silver Print

    51 x 41 cm

    US$3,500

  2. Les Demoiselles / Théâtre by Adrian Wiszniewski, Image 1.

    Adrian Wiszniewski

    Les Demoiselles / Théâtre, 1991

    Etching

    57 x 54 cm

    US$1,500

  3. Maxwell by Peter Howson, Image 7.

    Peter Howson

    Maxwell, 1987

    Etching

    70 x 52 cm

    US$3,000

  4. Cambria Pines by Robert Werling, Image 4.

    Robert Werling

    Cambria Pines, 1975

    Gelatin Silver Print

    41 x 51 cm

    US$2,000

  5. Hommage aux Prix Nobel by Eduardo Paolozzi, Image 5.

    Eduardo Paolozzi

    Hommage aux Prix Nobel, 1974

    Screenprint

    86 x 68 cm

    US$3,000

  6. Jade Lotus 1958 by Wong Wing Chee, Image 3.

    Wong Wing Chee

    Jade Lotus 1958, 1958

    Photograph

    27 x 20 cm

    US$500

  7. Half Dome and Clouds 1940 by Ansel Adams, Image 3.

    Ansel Adams

    Half Dome and Clouds 1940, c. 1940

    Photograph

    25 x 33 cm

    US$3,000

  8. Behind the Gare St. Lazare 1932 by Henri Cartier-Bresson, Image 4.

    Henri Cartier-Bresson

    Behind the Gare St. Lazare 1932, 1932

    Photograph

    36 x 28 cm

    US$1,500

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About the artist

Patrick Caulfield

British

1936-2005

Caulfield (1936-2005) was a British painter and printmaker, born in London, where he studied at Chelsea School of Art, 1956–9, and the Royal College of Art, 1959–63. In 1963 he began teaching at Chelsea School of Art and in 1965 he had his first one-man exhibition at the Robert Fraser Gallery, London. His work shared with artists such as Peter Blake and David Hockney a sense that the imagery was ‘in quotation marks’, so undermining the division between abstract and figurative art. The flat colour and black outlines of his painting (in his early work the impersonal surface was achieved by the use of gloss paint on board) were sometimes compared to Roy Lichtenstein, although the American painter's work was unknown to him when Caulfield first established his style. He took up screenprinting in 1964 and the following year won a prize for graphics at the Paris Biennale. Subsequently print was an important part of his output. An exhibition was devoted to his work at the Tate Gallery, London, in 1981 and another at the Hayward Gallery in 1999. He was recognised as one of the most important artists of his generation and his works feature in the world's greatest museums and collections.
Image of artist