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Additional Artworks

From AIRIE.Foundation

  1. AIRIE.Foundation Commission - 2024 Smithsonian Design Triennial Extended Version of "Kaa-Ha-Yut-Le" for by Ania Freer, Image 1.

    Ania Freer

    AIRIE.Foundation Commission - 2024 Smithsonian Design Triennial Extended Version of "Kaa-Ha-Yut-Le" for, 2024

    Interviews

  2. Peace by Piece by Maya Freelon, Image 1.

    Maya Freelon

    Peace by Piece, 2024

    Dyed Tissue Paper

    144 x 72 in

  3. The Nature of Things by Keren Anavy, Tal Frank, Image 1.

    Keren Anavy, Tal Frank

    The Nature of Things, 2018

    B/W on Alokobond

    16 x 20 in

  4. Everglades by Jonquil Brookhart, Image 1.

    Jonquil Brookhart

    Everglades, 2018

    Mirror, Glass, Water

    10.5 x 12.5 x 5 in

  5. Sea Turtle by Anita Dallar, Image 1.

    Anita Dallar

    Sea Turtle, 2013

    Hand Pulled Intaglio Monotypes

    22 x 13 x 2 in

  6. Beggar In The Everglades by Diana Woodcock, Image 1.

    Diana Woodcock

    Beggar In The Everglades, 2008

    Essay

  7. Great Egret with Warmouth by George Forrest, Image 1.

    George Forrest

    Great Egret with Warmouth, 2003

  8. Everglades Photography by Deedra Ludwig, Image 4.

    Deedra Ludwig

    Everglades Photography

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About the artist

Ania Freer

Ania Freer is an Australian-Jamaican artist, filmmaker, cultural researcher, and curator based in Kingston, Jamaica. She attended The University of Sydney and received a Bachelor of Arts in Anthropology and Film Theory. Through installation and video portraiture, as well as her curatorial work, Ania addresses themes central to the Jamaican experience such as Black empowerment, resistance, feminism, environmental justice, and spirituality. All while disrupting imperialist narratives, Ania collects meaningful, lesser-known stories in order to uplift the historical legacies of autonomy, self-determination, and liberation that shape her island home. She is the founder of Goat Curry Gallery, a platform which features artworks from Jamaican craft producers along with her documentary series REAL TALK, an intimate collection of interviews from across Jamaica, exploring identity through themes of social justice, class, race and familiar relationships.
Ania has exhibited at the London CHROM International Art Festival (2017) and the National Gallery of Jamaica’s Summer Exhibition (2019). She curated her first group exhibition, ‘All That Don’t Leave’, during her Curatorial and Art Writing fellowship at New Local Space Kingston (2019), which interrogated the line between art and craft and questioned “who can be called an artist” and “how do we assign value to works”. She is an inaugural Fellow in the 2021 cohort of Caribbean Film Academy and the grant recipient of the New York Black Creative Endeavours Grant (2020) and the Filmed by Bike BIPOC Filmmaker Grant, Oregon (2021).
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