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Additional Artworks

From AIRIE.Foundation

  1. Between sculpture and digital worlds, Samuel Dominguez by Samuel Domínguez, Image 1.

    Samuel Domínguez

    Between sculpture and digital worlds, Samuel Dominguez, 2026

    Video

  2. From one environment from another by Ania Freer, Arsimmer McCoy, Kunya Rowley, Cornelius Tulloch, Image 1.

    Ania Freer, Arsimmer McCoy, Kunya Rowley, Cornelius Tulloch

    From one environment from another, 2026

    Video

  3. More Than a Landscape by David Rahahę·tih Webb, Image 1.

    David Rahahę·tih Webb

    More Than a Landscape, 2025

    Video

  4. Back Roads to Far Towns by Harumi Abe, Image 1.

    Harumi Abe

    Back Roads to Far Towns, 2020

    Acryla gouache and acrylic on canvas

    66 x 52 in

  5. Crinum Americanum Series by Blanca Botero, Image 1.

    Blanca Botero

    Crinum Americanum Series, 2018

    Digital Print

    8 x 12 in

  6. Untitled by Alan Winslow, Image 1.

    Alan Winslow

    Untitled, 2015

    Color Print

    13 x 19 in

  7. Attachment Mechanisms by Kenneth Hall, Image 1.

    Kenneth Hall

    Attachment Mechanisms, 2012

    Acrylic, Shellac, Oil

    11 x 9.5 in

  8. Botanical Landscape Ancestral Currents by Saint Agnes Studio, Image 1.

    Saint Agnes Studio

    Botanical Landscape Ancestral Currents

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About the artists

Ania Freer

Ania Freer is an Australian-Jamaican artist, filmmaker, cultural researcher, and curator based in Kingston, Jamaica. She attended The University of Sydney and received a Bachelor of Arts in Anthropology and Film Theory. Through installation and video portraiture, as well as her curatorial work, Ania addresses themes central to the Jamaican experience such as Black empowerment, resistance, feminism, environmental justice, and spirituality. All while disrupting imperialist narratives, Ania collects meaningful, lesser-known stories in order to uplift the historical legacies of autonomy, self-determination, and liberation that shape her island home. She is the founder of Goat Curry Gallery, a platform which features artworks from Jamaican craft producers along with her documentary series REAL TALK, an intimate collection of interviews from across Jamaica, exploring identity through themes of social justice, class, race and familiar relationships.
Ania has exhibited at the London CHROM International Art Festival (2017) and the National Gallery of Jamaica’s Summer Exhibition (2019). She curated her first group exhibition, ‘All That Don’t Leave’, during her Curatorial and Art Writing fellowship at New Local Space Kingston (2019), which interrogated the line between art and craft and questioned “who can be called an artist” and “how do we assign value to works”. She is an inaugural Fellow in the 2021 cohort of Caribbean Film Academy and the grant recipient of the New York Black Creative Endeavours Grant (2020) and the Filmed by Bike BIPOC Filmmaker Grant, Oregon (2021).
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Arsimmer McCoy

Arsimmer McCoy, is a poet, educator, creative programmer, cultural worker, performance & collaborative artist, from Richmond Heights, Fl. McCoy’s work echoes conversations about identity, self-reflection, human interaction, legacy, and grace. Ms. McCoy holds a BA in English from Florida Memorial University in Miami Gardens, Florida. McCoy’s writings delve into her experiences of growing up in Miami; exploring it’s nuances through storytelling. Arsimmer currently works as the Director of Programming for Bookleggers; a nonprofit mobile library creating programming that finds various ways for the community to gain access to books. Arsimmer has been a teaching artist for 5+ years, working alongside veteran educators in public schools, with the goal of intertwining creative programming and state based curriculum, with organizations such as Scrap paper Inc, O,Miami Sunroom Poetry, Honeyshine Camp, Urgent Inc., and Miami Dade public library. McCoy creates & facilitates workshops in creative writing. Her newest Workshop series “Make a Masterpiece of Me|Using Poetry to empower people, places, and things”, doubles as a course on the intricacies of poetry while incorporating dialogue on culture, personal experiences, & activism. McCoy is a part of the summer cohort artist residency at Bakehouse Art Complex, the recipient of the 2021 Miami Foundation racial equity grant, and Locust Project’s 2021 Wavemaker grant recipient. When Arsimmer is not writing she is working on her passion project of turning her home into an museum/exhibition space, and mothering her 11 year old daughter who dances like fire.
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Kunya Rowley

A Miami native, Kunya Rowley is a community, social impact, and arts leader. He is the founder and Artistic Director of Hued Songs, a non-profit that celebrates Black culture through artistic experiences, as well as the Music Access, Arts, & Culture Manager at The Miami Foundation, leading the Foundation’s effort on making music education & the arts more accessible in Greater Miami. Kunya is a graduate from The University of Florida and is an alum of New World School of the Arts’ opera program. In 2017, Kunya was the recipient of the John S. and James L. Knight Foundation’s Knight Arts Challenge grant, which propelled the founding of Hued Songs. Kunya's artistic practice is fueled by his own sense of growing up feeling both culturally & ancestrally lost. His work, however, centering Black music & history, gives light to a path, a purpose, and a promise that originated many centuries before him and many miles from where he stands, yet still undeniably his own. Since its founding, Hued Songs has gone on to produce performances across South Florida, providing a platform on which Black & Brown artists can be seen, heard, and paid, working to remove community barriers to arts access. Kunya is a member of the NAACP Miami-Dade chapter, as well as the GMCVB LGBTQ Tourism Advisory Committee. Through his work, Kunya seeks to build community through music and to be a conduit for accessible arts across a multi-cultural platform.
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Cornelius Tulloch

Cornelius Tulloch is a Miami, Florida-based interdisciplinary artist and designer. With work transcending the barriers of architecture, visual art, and photography, Tulloch focuses on how creative mediums can be combined to tell powerful stories. With inspiration from his Jamaican and African American heritage, his work expresses how bodies exist between cultures, borders, and characteristics to create spatial impact. His work has been exhibited in fairs and museums including The Kennedy Center for the Performing Arts, Washington D.C., Pulse Art Fair, Miami, Florida, and the Museo Nazionale Delle Arti Del XXI Secolo, Rome, Italy. In 2016, he was named a Presidential Scholar in the Arts and is included in the permanent collection of the Studio Museum in Harlem. He is a winner of the Your Portrait 2020 competition, and recipient of a 2020 Ellies Creator Award from Oolite Arts.
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