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Additional Artworks

From AIRIE.Foundation

  1. Art, Ancestry, and the Everglades by David Rahahę·tih Webb, Image 1.

    David Rahahę·tih Webb

    Art, Ancestry, and the Everglades, 2026

    Video

  2. Crinum Americanum Series by Blanca Botero, Image 1.

    Blanca Botero

    Crinum Americanum Series, 2018

    Digital Print

    8 x 12 in

  3. Crinum Americanum Series by Blanca Botero, Image 1.

    Blanca Botero

    Crinum Americanum Series, 2018

    Digital Print

    8 x 12 in

  4. The Nature of Things by Keren Anavy, Tal Frank, Image 1.

    Keren Anavy, Tal Frank

    The Nature of Things, 2018

    Print

    7.5 x 9.5 in

  5. Anhinga Trail by Harumi Abe, Image 1.

    Harumi Abe

    Anhinga Trail, 2017

    Acrylic and oil on panel

    14 x 11 in

  6. Encrustacean by Sherwood Dana, Mark Dion, Image 1.

    Sherwood Dana, Mark Dion

    Encrustacean, 2012

    Color Drawing

    12 x 9 in

  7. Getaway Installation by Elizabeth Withstandley, Image 2.

    Elizabeth Withstandley

    Getaway Installation

    Video with Music

  8. Process of Applying by Atéha "Jojo Sounds" Bailly, Image 1.

    Atéha "Jojo Sounds" Bailly

    Process of Applying

    Interviews

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About the artist

Miriam Sagan

Miriam Sagan is the author of over thirty books of poetry, fiction, and memoir. She is a two-time winner of the New Mexico/Arizona Book Awards as well as a recipient of the City of Santa Fe Mayor's Award for Excellence in the Arts and a New Mexico Literary Arts Gratitude Award. She has been a writer in residence in four national parks, Yaddo, MacDowell, Gullkistan in Iceland, Kura Studio in Japan, and a dozen more remote and interesting places. She works with text and sculptural installation as part of the mother/daughter creative team Maternal Mitochondria (with Isabel Winson-Sagan) in venues ranging from RV parks to galleries. She founded and directed the creative writing program at Santa Fe Community College until her retirement. Her poetry was set to music for the Santa Fe Women's Chorus, incised on stoneware for two haiku pathways, and projected as video inside an abandoned building during the pandemic under the auspices of Vital Spaces.