Robert Motherwell (American 1915-1991)- ''The Quarrel'' (Belknap 294)- lithoraph in color, 1983, signed and numbered 12/100 in pencil, text by U. S. Poet Laureate, Stanley Kunitz, printed by Tyler Graphics Ltd, very good condition. 40 x 25 1/2'' (sheet)
About Motherwell - from artnet
Robert Motherwell was an American artist and seminal Abstract Expressionist painter. Influenced by the automatic writing and drawing prescribed by the Surrealists, Motherwell’s practice was characterized by an intuitive approach to painting. He is perhaps best known for his iconic Elegy to the Spanish Republic series, which consists of 150 variants of black forms on white backgrounds. “Painting is a medium in which the mind can actualize itself; it is a medium of thought,” he once reflected. “Thus painting, like music, tends to become its own content.” Born on January 24, 1915 in Aberdeen, WA, he moved to New York to study at Columbia University with the art historian Meyer Schapiro. It was Schapiro encouragement that initially led Motherwell to start making paintings. During the early 1940s, he entered a milieu of young artists that included William Baziotes, Jackson Pollock, and Willem de Kooning. Motherwell later taught Cy Twombly and Robert Rauschenberg at the famed Black Mountain College. After returning to New York, he met the painter Helen Frankenthaler in 1957, whom he married three years later. During their 13 year marriage, the two artists’ mutual interest in the poetry of abstraction fueled one another’s work. Motherwell died on July 16, 1991 in Cape Cod, MA. Today, his works are held in the collections of the Art Institute of Chicago, the National Gallery of Art in Washington, D.C., The Museum of Modern Art in New York, and the Tate Modern in London, among others.
Stanley Kunitz
The word I spoke in anger
weighs less than a parsley seed,
but a road runs through it
that leads to my grave,
that bought-and-paid-for lot
on a salt-sprayed hill in Truro
where the scrub pines
overlook the bay.
Half-way I'm dead enough,
strayed from my own nature
and my fierce hold on life.
If I could cry, I'd cry,
but I'm too old to be
anybody's child.
Liebchen,
with whom should I quarrel
except in the hiss of love,
that harsh, irregular flame?
